室内设计大师(室内设计大师作品)
乃村工艺社是一家位于日本东京的建筑事务所,由著名设计大师Ryu Kosaka成立于2006年。工作室已成为亚洲最顶级的设计事务所之一。在Ryu Kosaka的带领下,工作室在全球各地为商业、酒店、办公室、餐厅、零售、展览和住宅项目获得了无数奖项。
Naamura Arts & Craftees (A.N.D.) is a Tokyo-based architecture firm founded in 2006 by renowned architect Ryu Kosaka. The studio has become one of the top design firms in Asia. Under the leadership of Ryu Kosaka, the studio has won numerous awards for commercial, hotel, office, restaurant, retAIl, exhibition and residential projects around the world.
Ryu Kosaka 1960年出生于日本东京,早年毕业于武藏艺术大学建筑系。对待每个设计,Ryu Kosaka都格外关注灯光给空间一种情感的流露,仿佛空间中的建筑诗者。他希望通过灯光与材质的现代表达,传达出设计的精神。同时,深化人与人之间的联系,将注意力倾注于最细微的细节,使感官更加敏锐,创造出永恒品质的空间设计。
Ryu Kosaka was born in Tokyo in 1960 and graduated from the Department of Architecture at Musashi University of the Arts. For each design, Ryu Kosaka pays special attention to the emotional outpouring of space, as if it were an architectural poet in space. He hopes to convey the spirit of the design through the modern expression of light and materials. At the same time, it deepens the connection between people, pays attention to the smallest details, sharpens the senses, and creates a space of timeless quality.
Ryu Kosaka的酒店设计已成为现代日式酒店的风向标,如东京文华东方酒店的主餐厅、东京丸之内新馆的公共空间和环境设计、日本航空樱花酒廊(羽田国际机场)和享誉国际的广州W酒店FEI Ultra酒廊,他也因此成为第一个在著名的餐厅和酒吧设计奖中获得最佳酒吧奖的日本人。
Ryu Kosaka's hotel design has become a bellwether for modern Japanese hotels. His work includes the Main Dining Room of the Mandarin Oriental Tokyo, the design of the public spaces and environment for the Shin-marunouchi Buidling (Marunouchi, Tokyo), the JAL Sakura Lounge (Haneda International Airport) and the internationally acclaimed W Guangzhou FEI Ultra Lounge in China for which he became the first Japanese national to be awarded Best Bar at the prestigious Restaurant & Bar Design Awards.
日本的设计给人最深的印象是:安静、自然、东方和纯粹。而Ryu Kosaka的设计恰恰能表达出东方设计的旋律,特别是他在灯光上面的设计,不约束于风格和国度,他更重视的是空间的气质演绎。他偏好使用质朴、纯粹和自然的材质。
The deepest impression of Japanese design is: quiet, natural, Oriental and pure. And Ryu Kosaka's design can exactly express the melody of Oriental design, especially his design of lighting, which is not restricted by stYLe and country, he pays more attention to the interpretation of the temperament of space. He prefers to use simple, pure and natural materials.
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